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Safavid royal square; UNESCO World Heritage siteDraft

Naqsh-e Jahan Square

میدان نقش جهان

The royal square of Shah Abbas, more than five hundred metres long

Naqsh-e Jahan, “image of the world”, is the square Shah Abbas I built when he made Isfahan his capital in 1598. It is a long rectangle, roughly 560 metres by 160, enclosed by a continuous two-storey arcade of shops. It was laid out as a stage: for polo, parades, markets and executions, watched from the palace on its western side. Stone goalposts from the polo matches still stand at either end.

Four buildings break the arcade, one on each side. To the south is the Shah Mosque, begun in 1611 and now called the Imam Mosque, its portal turned at an angle so that the prayer hall faces Mecca. To the east is the smaller Sheikh Lotfollah Mosque, which has no minarets and a dome of cream and rose tiles. To the west rises the Ali Qapu palace, whose name means “lofty gate”, with a timber-columned talar, an open veranda, from which the shah watched the square. To the north the Qeysariyeh gate leads into the bazaar.

Today the square is a public park with fountains and lawns, and families picnic on the grass in the evenings. The arcades still sell copperwork, miniatures and printed cloth. It was among the first Iranian sites inscribed by UNESCO, in 1979.

Naqsh-e Jahan Square through time

Iranian history

1501–1736

The Safavidsصفویان

The Safavids made Twelver Shia Islam Iran's state religion and rebuilt Isfahan as one of the most admired cities in the world.

  • 1598 Shah Abbas I makes Isfahan his capital
  • 1611 Work begins on the Shah Mosque
  • 1979 Square inscribed as UNESCO World Heritage site

More in Isfahanاصفهان

  • Fin Garden

    A Persian garden of running water outside Kashan

  • Si-o-se Pol

    The bridge of thirty-three arches across the Zayandeh

Stories from the regionداستان‌ها

1539–40, Victoria and Albert Museum

The Ardabil Carpet

A dated, inscribed Safavid carpet more than ten metres long, signed with a line of Hafez and the name of Maqsud of Kashan.

Gravel plains, and the beloved's eye

The goitered gazelle

A small, fast desert gazelle, and in Persian poetry the shape of the beloved's eye and the image of a love that will not be caught.

Gardens, poetry and lacquer

The nightingale and the rose

A plain brown bird with an extraordinary voice became the lover of Persian poetry, forever singing to a rose that does not answer.