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Persiahaus

Welcome to Persiahaus

خوش آمدید

Heritage, built like a modernist.

A house for Persian and Iranian culture: essays and discourse, poetry in the original beside English, an atlas of the Iranian world, and original prints from our studio.

Saffron sunburst medallion with pomegranate petals and a lapis core, anchored by a black square and blue triangle

The cover story

Persepolis and the Bauhaus

An ancient ceremonial city and a twentieth-century German art school have nothing in common but everything that matters.

Abstract Persepolis: stepped crenellations, fluted columns and a procession of geometric figures carrying offerings

The Atlas

ایران‌زمین

Thirty-one provinces, and a world beyond them.

Explore Iran province by province, and the lands from the Caucasus to the Hindu Kush where Persian and its sister languages have lived for centuries.

Stylised map of Iran and the lands around it, each province a soft tone of lapis, saffron or turquoise, with small landmark icons

The Greats

بزرگان

From Ferdowsi to Hafez.

The classical masters of Persian verse, with their poems in the original beside an English translation.

Stylised portrait of Hafez in profile, short dark beard and turquoise turban, with a cypress, an open book and a cup of wine

The Print Room

چاپخانه

Persian forms, printed to order.

Original prints from Persiahaus Studio: the mihrab, the pomegranate and the garden in the flat colour and strict geometry of modernism.

Nested pointed mihrab arches in lapis and bone with a single saffron circle hanging in the apex

The Journalدفتر

Essays, discourse and dispatches on Persian and Iranian culture. Issue 1 asks what a homeland looks like when you carry it in forms rather than in nostalgia.

All essays

EssayDraft

Toward a Persian Modernism

In the 1960s, a group of Iranian artists turned the folk objects of street shrines and talismans into modern art. Their question is still ours: how does a tradition become contemporary without becoming a costume?

By Persiahaus Editors

DispatchDraft

The Longest Night, Kept Awake

On Yalda, Iranians everywhere stay up through the darkest night of the year with pomegranates, watermelon and a book of Hafez. A dispatch on what ritual becomes when it travels.

By Persiahaus Editors

EssayDraft

The Garden Is an Argument

The fourfold Persian garden gave the world its word for paradise. It also gave it a theory of order, built from walls, water and shade.

By Persiahaus Editors

The current issue

Homelandمیهن

Every diaspora inherits two questions: what did we bring, and what will we make of it? Our first issue answers neither neatly. Instead it walks through a palace, a poem, a garden, a winter night and a studio, and asks what a homeland looks like when you build it out of form rather than nostalgia.

Inside the issue →

Poetryشعر

Persian verse in the original, beside an English translation, from the classical Greats to contemporary poets.

The poetry room

هست وادی طلب آغاز کار

وادی عشق است از آن پس، بی کنار

پس سیم وادیست آن معرفت

پس چهارم وادی استغنی صفت

هست پنجم وادی توحید پاک

پس ششم وادی حیرت صعب ناک

هفتمین وادی فقرست و فنا

بعد ازین روی روش نبود ترا

Verse of the moment

The valley of Seeking is the beginning of the work;

after it comes the valley of Love, which has no shore;

the third valley is that of Knowledge;

fourth is the valley whose quality is Detachment;

fifth is the valley of pure Unity;

then sixth, the valley of Bewilderment, hard and perilous;

the seventh valley is Poverty and Annihilation:

beyond this you will have no way of going on.

Attar, The Seven Valleys →

Masnavi · 12th–13th century · tr. Persiahaus Editors

The Greatsبزرگان

The classical masters of Persian verse, from Ferdowsi in the tenth century to Hafez in the fourteenth.

Meet the poets
  • Stylised portrait of Ferdowsi in profile, long white beard and white turban, holding the open Shahnameh under a crown

    Ferdowsi

    فردوسی

    c. 940–1020 · Tus, Khorasan

    The poet of the Shahnameh, the national epic of Iran, credited with keeping the Persian language and its old stories alive.

    Known for: The Shahnameh (Book of Kings)

  • Stylised portrait of Omar Khayyam in profile, short dark beard and saffron turban, beside an astrolabe under a starry night sky

    Omar Khayyam

    خیام

    1048–1131 · Nishapur

    Mathematician and astronomer of Nishapur, known to the world for quatrains on time, wine and doubt.

    Known for: The Rubaiyat (quatrains)

  • Stylised portrait of Nezami Ganjavi in profile, dark beard and white turban, beside five coloured discs for the five poems of his Khamsa

    Nezami Ganjavi

    نظامی گنجوی

    c. 1141–c. 1209 · Ganja

    The master of the Persian verse romance, whose Khamsa gave the world Layli and Majnun and Khosrow and Shirin.

    Known for: The Khamsa (Quintet)

  • Stylised portrait of Attar in profile, grey beard and red turban, beside a hoopoe and two apothecary flasks

    Attar

    عطار

    c. 1145–c. 1221 · Nishapur

    Druggist of Nishapur and author of The Conference of the Birds, the great allegory of the soul's journey.

    Known for: The Conference of the Birds

  • Stylised portrait of Rumi in profile, dark beard and the tall felt hat of the Mevlevi, beside a reed flute

    Rumi

    مولانا

    1207–1273 · Balkh to Konya

    Jalal al-Din, called Mowlana in Iran, the mystic poet of Konya and one of the most read poets in any language.

    Known for: The Masnavi and the Divan of Shams

  • Stylised portrait of Saadi in profile, long pale beard and white turban, holding a rose

    Saadi

    سعدی

    c. 1210–1291 · Shiraz

    The moralist of Shiraz, whose Golestan has taught Persian prose to every generation since.

    Known for: The Golestan and the Bustan

  • Stylised portrait of Hafez in profile, short dark beard and turquoise turban, with a cypress, an open book and a cup of wine

    Hafez

    حافظ

    c. 1315–1390 · Shiraz

    The supreme master of the ghazal, whose Divan is found in nearly every Iranian home.

    Known for: The Divan

The Print Roomچاپخانه

Original prints from Persiahaus Studio: Persian forms, from the mihrab to the pomegranate, in the flat colour and strict geometry of modernism. Printed to order, shipped worldwide.

Shop all prints

Tradition is the grid. We are the tile that turns.

Persiahaus is an editorial culture house for Persian and Iranian culture: essays and discourse, classical poetry in the original and in translation, and original prints from our studio. For the diaspora and for the curious, in English, with the Persian kept close.

About Persiahaus