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Safavid bridge, c. 1599–1602Draft

Si-o-se Pol

سی‌وسه‌پل

The bridge of thirty-three arches across the Zayandeh

Si-o-se Pol means “thirty-three bridges”, a name taken from the thirty-three arches that carry it across the Zayandeh river in Isfahan. It was built for Shah Abbas I around the turn of the seventeenth century by his general Allahverdi Khan, a Georgian convert who rose to command the Safavid armies, and it is also known by his name. At roughly 300 metres it is the longest of the city's historic bridges.

The bridge links the city centre to the southern bank and the long avenue of Chahar Bagh, which ran down to it as a royal promenade. It has two levels: a broad roadway above, now for pedestrians only, flanked by arcaded walkways, and a lower level of passages and piers at the water's edge where people could sit almost on the river.

In recent decades the Zayandeh has often run dry for long periods, its water diverted upstream, and visitors may find the arches standing over sand and stones rather than a current. When the water is released the city comes down to the river at once. Even in dry seasons the lower arcades are a meeting place, where people sit in the evening shade and the arches frame one another in a long receding row.

Si-o-se Pol through time

Iranian history

1501–1736

The Safavidsصفویان

The Safavids made Twelver Shia Islam Iran's state religion and rebuilt Isfahan as one of the most admired cities in the world.

  • c. 1602 Si-o-se Pol completed for Shah Abbas I

More in Isfahanاصفهان

Stories from the regionداستان‌ها

1539–40, Victoria and Albert Museum

The Ardabil Carpet

A dated, inscribed Safavid carpet more than ten metres long, signed with a line of Hafez and the name of Maqsud of Kashan.

Gravel plains, and the beloved's eye

The goitered gazelle

A small, fast desert gazelle, and in Persian poetry the shape of the beloved's eye and the image of a love that will not be caught.

Gardens, poetry and lacquer

The nightingale and the rose

A plain brown bird with an extraordinary voice became the lover of Persian poetry, forever singing to a rose that does not answer.