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Seljuk core, 11th century, with later additions; UNESCO World Heritage site

Jameh Mosque of Isfahan

مسجد جامع اصفهان

A thousand years of Iranian mosque building in one courtyard

The Jameh Mosque, the Friday Mosque of Isfahan, is often described as a museum of Iranian architecture, because almost every period from the early Islamic centuries to the Safavids left its mark on it. It stands in the old heart of the city, a short walk from the bazaar, well away from the later Safavid splendour of Naqsh-e Jahan Square, and it is still a working mosque, used for daily prayers.

Its decisive moment came under the Seljuks in the late eleventh century. The vizier Nizam al-Mulk built the great domed chamber in front of the mihrab, the prayer niche, around 1086–1087, and a year or two later his rival Taj al-Molk built a smaller, exquisitely proportioned brick dome at the northern end of the axis. Around this time the courtyard was given four iwans, vaulted halls open to the courtyard on each side. This four-iwan plan became the model for mosques across Iran and Central Asia for centuries.

Later builders added their own layers. In 1310, under the Ilkhanid ruler Öljeitü, a prayer hall was given a carved stucco mihrab of extraordinary depth and intricacy, deep-cut with plant scrolls and inscriptions. Under the Timurids and Safavids the courtyard façades and iwans were faced with glazed tile, while behind them the forest of brick columns and vaults of the prayer halls shows the bare brickwork of earlier centuries.

Walking from the courtyard into the low brick halls is to move between eras in a few steps, and the mosque rewards slow looking, especially in the patterns of the brick vaults, each one different. It was inscribed by UNESCO as a World Heritage site in 2012.

Jameh Mosque of Isfahan through time

Iranian history

1040–1335

Seljuks, Mongols and Ilkhanidsسلجوقیان، مغولان و ایلخانان

Turkic and then Mongol conquerors took Iran in turn. The Seljuks built mosques and colleges; the Mongols brought catastrophe, then, as the Ilkhanids, became patrons of history-writing and art.

  • c. 1086 Nizam al-Mulk's south dome built
  • c. 1088 Taj al-Molk's north dome built
  • 1310 Öljeitü's stucco mihrab completed
  • 2012 Inscribed as UNESCO World Heritage site

More in Isfahanاصفهان

  • Naqsh-e Jahan Square

    The royal square of Shah Abbas, more than five hundred metres long

  • Fin Garden

    A Persian garden of running water outside Kashan

  • Si-o-se Pol

    The bridge of thirty-three arches across the Zayandeh

  • Vank Cathedral

    The Armenian cathedral of New Julfa, painted from floor to dome

Stories from the regionداستان‌ها

The columns of Persepolis, some crowned with double-bull capitals and some broken, on a saffron terrace with its stair, against a red sun on paper, between tall turquoise cypresses on the plain of Fars.

A people named after a province, a language that travelled far beyond it

Persians

Persian speakers of Iran call themselves *Fars* or simply *Irani*. They are one people among many in Iran, and their language became a shared tongue for far more than themselves.

A nightingale on a rose stem beside a red rose, singing before a pale moon on deep blue, above a frieze of rippling wedges

Singing the ghazal

Avaz: the classical voice

In Persian classical music the singer is the centre, and the song is a poem: a ghazal of Hafez, Saadi or Rumi, unfolded line by line in free rhythm and ornamented with the breaking voice of the *tahrir*.

A Persian tar with its double-bowled saffron body, two white skin faces and long fretted neck, angled across a red halo on turquoise

The long-necked lute of the radif

Tar

With its double-bowled mulberry body and skin face, the tar was the instrument on which the radif itself was codified. In the Caucasus a related tar has grown into a tradition of its own.