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Farsi, Dari, Tajik: one language, three standardsDraft

Persian

زبان فارسی

Spoken in Tehran, Kabul and Dushanbe under three names and written in two alphabets, Persian is one language with three national standards and a thousand years of shared poetry.

Three turquoise cypresses of different heights before a saffron halo inside a pointed arch, above an open book with plain ruled pages

A schoolchild in Shiraz, a taxi driver in Herat and a grandmother in Khujand can recite the same lines of Hafez and understand one another. Accents and vocabulary take a little patience. In Iran the language is called Farsi; in Afghanistan, Dari; in Tajikistan, Tajik (tojikī). Linguists treat these as national standards of a single language, Persian, a member of the western branch of the Iranian languages within the Indo-European family. Its speakers usually call it, when they want to be grand about it, zabān-e Fārsi or simply Pārsi.

The name Farsi comes from Fars, the province of Shiraz and Persepolis, the old Pārsa of the Achaemenids: the Arabic alphabet has no p, so Pārsi became Fārsi. Dari is the older literary name. Medieval writers explained it as the speech of the dar, the royal court, and Afghanistan adopted it as the official name of the language in the twentieth century. There Dari is an official language alongside Pashto, while in Tajikistan Tajik has been written in the Cyrillic alphabet since 1940, after a brief period in Latin letters from 1928.

A language made in the east

New Persian, the language of today, grew out of Middle Persian, and its first great flowering came not in Fars but in the east. In the ninth and tenth centuries the Samanid court at Bukhara patronised poets who wrote in Persian in the Arabic script, and Rudaki, born near Panjakent in present-day Tajikistan, became the first master whose name everyone remembers. Ferdowsi finished the Shahnameh in Tus around 1010. From then on Persian was the language of courts and chanceries from Anatolia to Bengal: the Mughal emperors kept their records in it, and it remained an official language in British India until the 1830s.

That reach is why the three standards differ less than one might expect. Educated Dari and Tajik keep vowels that Tehran has merged, such as the long ē and ō of classical verse, so that sher ‘lion’ and shir ‘milk’ stay distinct in Kabul but sound the same in Tehran. Colloquial Tehrani shortens freely: nān ‘bread’ becomes nun, mikhāham ‘I want’ becomes mikham. Tajik has absorbed Russian words for modern things, Dari has many from Pashto and English, and Iranian Persian has borrowed generously from French. The grammar underneath, simple in its endings and rich in compound verbs built with kardan ‘to do’ and shodan ‘to become’, is common to all three.

A schoolchild in Shiraz, a taxi driver in Herat and a grandmother in Khujand can recite the same lines of Hafez and understand one another.

A shared inheritance

Persian is one language of the Iranian world among many, and for millions of Kurds, Azerbaijanis, Baluch, Pashtuns, Uzbeks and others it is a second language rather than a mother tongue. It has also been, for a thousand years, the tongue in which many of them wrote poetry, kept accounts and argued about God. That is the sense in which it is shared: Rumi wrote it in Konya, Bidel in Delhi, Iqbal in Lahore, Khalili in Kabul and Loiq Sher-Ali in Dushanbe, and each of their countries reads them as its own.

Poetsشاعران

Stylised portrait of Rudaki with a long white beard and eyes closed, a white turban, against a saffron halo on deep lapis, with a harp (chang).

Rudaki

رودکی

c. 858–c. 941 · Panjrud and Bukhara

Poet of the Samanid court at Bukhara, honoured in Persian tradition as the father of Persian poetry.

Known for: The first great poet of New Persian

Stylised portrait of Ferdowsi in profile, long white beard and white turban, holding the open Shahnameh under a crown

Ferdowsi

فردوسی

c. 940–1020 · Tus, Khorasan

The poet of the Shahnameh, the national epic of Iran, credited with keeping the Persian language and its old stories alive.

Known for: The Shahnameh (Book of Kings)

Stylised portrait of Hafez in profile, short dark beard and turquoise turban, with a cypress, an open book and a cup of wine

Hafez

حافظ

c. 1315–1390 · Shiraz

The supreme master of the ghazal, whose Divan is found in nearly every Iranian home.

Known for: The Divan

Stylised portrait of Rumi in profile, dark beard and the tall felt hat of the Mevlevi, beside a reed flute

Rumi

مولانا

1207–1273 · Balkh to Konya

Jalal al-Din, called Mowlana in Iran, the mystic poet of Konya and one of the most read poets in any language.

Known for: The Masnavi and the Divan of Shams

Stylised portrait of Bidel with a grey pointed beard and a tall saffron cap, against a turquoise halo on black, with a lit oil lamp.

Bidel Dehlavi

بیدل دهلوی

1642–1720 · Patna and Delhi

Persian poet of Mughal India, master of the late Indian style, loved above all in Afghanistan and Central Asia.

Known for: Ghazals in the Indian style and the Chahar Onsor

Khalilullah Khalili

خلیل‌الله خلیلی

1907–1987 · Kabul; Islamabad

Afghanistan's foremost Persian poet of the 20th century: courtier, historian, diplomat and, at the end, an exile.

Known for: The leading classical poet of 20th-century Afghanistan

Loiq Sher-Ali

لایق شیرعلی

1941–2000 · Panjakent; Dushanbe

Tajikistan's best-loved modern poet, who made the Persian language and its classical heritage his great theme.

Known for: Poems in praise of the Persian language

Across Cultureپیوندها

Music

Avaz: the classical voice

In Persian classical music the singer is the centre, and the song is a poem: a ghazal of Hafez, Saadi or Rumi, unfolded line by line in free rhythm and ornamented with the breaking voice of the *tahrir*.

Music

Shashmaqam

Six great suites of song and instrumental music, crystallised at the court of Bukhara and sung in Tajik Persian and Uzbek: the Shashmaqam is the classical music of Tajikistan and Uzbekistan, and each nation defines it as its own.

The sandstone cliff of Bamiyan with its two great empty niches and rows of small caves, above the turquoise and deep blue lakes of Band-e Amir held back by white travertine dams, under a white sun on lapis.

Peoples

Hazaras

The Hazaras of central Afghanistan speak Hazaragi, a form of Persian, and are mostly Shia. Their homeland holds Bamiyan and Band-e Amir; their diaspora reaches Mashhad, Quetta and Australia.

The columns of Persepolis, some crowned with double-bull capitals and some broken, on a saffron terrace with its stair, against a red sun on paper, between tall turquoise cypresses on the plain of Fars.

Peoples

Persians

Persian speakers of Iran call themselves *Fars* or simply *Irani*. They are one people among many in Iran, and their language became a shared tongue for far more than themselves.

The Samanid mausoleum of Bukhara, a domed cube of basket-weave brick with a small dome at each corner and an arcade under the cornice, against a saffron halo on black, beside a suzani hanging of red and saffron rosettes on cream.

Peoples

Tajiks

Tajiks speak Persian in Afghanistan, Tajikistan and Uzbekistan. They are heirs of the Samanids and of Rudaki, and their homelands define themselves.

More from Languagesزبان‌ها

The Bisotun cliff inside a pointed arch: a smoothed panel cut with rows of abstract wedges and a small figure on a ladder copying it

The voice of the Achaemenid kings

Old Persian and the cuneiform inscriptions

Carved into cliffs and palace walls in a script of wedges, Old Persian is the oldest recorded form of the Persian language, and the key that unlocked the cuneiform world.

A fire burning in a brass urn before a red halo on black inside a pointed arch, with an open manuscript in front

The language of the Zoroastrian scriptures

Avestan

Known only from the sacred texts of Zoroastrianism, Avestan is one of the two oldest recorded Iranian languages, and it is still recited daily in fire temples in Yazd, Tehran and Mumbai.

Naqsh-e Rostam inside a pointed arch: two cross-shaped tombs cut into grey rock and a white stone tower with three bands of marks

The language of the Sasanian empire

Middle Persian (Pahlavi)

Between Old Persian and the Persian of Rudaki stands Middle Persian, the language of Sasanian kings and Zoroastrian theologians, written in a script that famously says one word and means another.