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Poets · 3
- HafezThe supreme master of the ghazal, whose Divan is found in nearly every Iranian home.حافظ
- Hushang Ebtehaj (Sayeh)Writing as Sayeh, he was the great master of the ghazal in the 20th century and an editor of Hafez.هوشنگ ابتهاج (سایه)
- Khwaju KermaniPoet of Kerman and Shiraz, author of verse romances and of ghazals that Hafez knew and echoed.خواجوی کرمانی
Poems · 36
- Last Night I Saw the AngelsHafez
- Love Seemed Easy at FirstHafez
- Saqi, light up our cupHafez
- Whoever keeps faith with God's peopleHafez
- At dawn the nightingale told the breezeHafez
- The cup of Jamshid was withinHafez
- In the beginning, Your beauty's rayHafez
- The old world will grow young againHafez
- A star shone outHafez
- Good news: the east wind has returnedHafez
- At dawn they set me freeHafez
- The preachers in the pulpitHafez
- Where is right conduct, and where am I?Hafez
- Curls dishevelled, flushed and laughingHafez
- I said, I grieve for youHafez
- Lost Joseph will returnHafez
- Bitter wine to fell a manHafez
- Happy ShirazHafez
- My eye is your nestHafez
- If that Shirazi TurkHafez
- Come, the palace of hope is frailHafez
- We have come to this door for refugeHafez
- We hoped for friendship from friendsHafez
- Come, let us scatter rosesHafez
- Now the rose holds a cupHafez
- Breeze, tell that graceful gazelleHafez
- None so frenzied in the tavern of the magiHafez
- O king of the fairHafez
- My heart slips from my handHafez
- A nightingale held a rose petalHafez
- Come, Sufi, the cup is a clear mirrorHafez
- Do not fault the rendsHafez
- Your beauty took the worldHafez
- Remember the day of unionHafez
- The Green Field of the SkyHafez
- Do You Know What Fortune Is?Hafez
Books · 7
- Hafez, Edited by SayehEbtehaj's edition of the Divan of Hafez, the fruit of many years' comparison of manuscripts and earlier editions. It is valued as much for a poet's ear for the right reading as for its scholarship, and is widely used by Iranian readers.حافظ به سعی سایه
- The Divan of HafezThe collected poems of Hafez of Shiraz, some five hundred ghazals in most editions, gathered after his death. Wine, the beloved, the hypocrisy of the pious and the grace of God are woven together so that every couplet can be read more than one way. Iranians still open it at random to take a fal, an omen.دیوان حافظ
- The Divan of AttarAttar’s lyric poems, chiefly ghazals and some qasidas. They gave the mystical ghazal much of its vocabulary of the tavern, the Magian elder and the gambler in love, which Rumi and Hafez later took up. They are less read abroad than his long poems.دیوان عطار
- MirageHis first collection, mostly ghazals and other classical lyrics written in his early twenties, already showing the musical ease and command of the old forms that would define his reputation. Here the young Sayeh is already in conversation with Hafez and the other classical masters he would spend his life reading.سراب
- The Divan of IraqiIraqi's lyric poems, chiefly ghazals of mystical love, valued for their music and ardour. Many use the imagery of wine, the cupbearer and the tavern that he shared with Attar before him and Hafez after him.دیوان عراقی
- The Divan of KhwajuKhwaju's collected lyrics: fluent, musical ghazals, several of whose rhymes and refrains Hafez took up, and qasidas for the princes and ministers of his day.دیوان خواجوی کرمانی
- The Ghazals (Kolliyat)Saadi’s lyric poems, gathered with his other works in his Kolliyat, or Collected Works. Plain in language and supple in music, his ghazals of love brought the form to a first perfection, and Hafez learned from them. Many are still sung today.غزلیات سعدی