Sufism
تصوفOrders, lodges, remembrance and the music of sama’: the mystical path that gave Persian its greatest poetry, and still gathers seekers today.

Sufism, tasavvof in Persian, often also called erfan, ‘knowledge’ in the sense of inner knowing, is the mystical dimension of Islam. Its followers, Sufis or darvishes, seek to purify the self (nafs) and to draw near to God through love, discipline and remembrance. A seeker, the morid, takes a guide, the pir or morshed, and follows a tariqat, a path, handed down in a chain of masters that reaches back, in each order’s own telling, to the Prophet. The stages of the way, the maqamat, run from repentance to trust and contentment, and the end is often described as fana, the passing away of the self in God.
Sufis gather in a khanqah or khanaqah, a lodge, for zekr, the remembrance of God by repeating His names, sometimes silently and sometimes aloud. Many orders also practise sama’, ‘listening’: music and poetry heard, and sometimes danced, as a way into the presence of God. Among Kurdish Qadiris the daf, the great frame drum, carries the rhythm.
Saints of the Iranian world
Some of the early masters came from Iran: Bayazid Bastami of Bastam; Hallaj of Fars, executed in Baghdad in 922 for words read as blasphemy, ana’l-Haqq, ‘I am the Truth’; Abu Sa’id Abu’l-Khayr of Mayhana in Khorasan, whose quatrains and sayings shaped Persian Sufi verse; and Khwaja Abdullah Ansari of Herat, whose shrine at Gazurgah still draws visitors. Many of the great orders were born in the Iranian world. The Kubrawiyya began with Najm al-Din Kubra in Khwarazm. The Naqshbandiyya takes its name from Baha al-Din Naqshband of Bukhara. Shah Ne’matollah Vali founded the Ne’matollahi order, and his domed shrine at Mahan, near Kerman, is one of the loveliest in Iran. Sheikh Safi al-Din of Ardabil founded the order from which the Safavid dynasty rose; his shrine and lodge are a UNESCO World Heritage Site.
The poets
Persian poetry and Sufism grew up together. Sanai of Ghazni opened the way for the long mystical poem. Attar of Nishapur wrote Mantiq al-tayr, ‘The Conference of the Birds’, in which the birds set out to find the Simorgh and the thirty who arrive discover that they themselves, si morgh, ‘thirty birds’, are what they sought. Rumi, born in the lands of Balkh and buried in Konya, wrote the Masnavi and the ghazals of the Divan-e Shams; after his death his followers formed the Mevlevi order, famous for its whirling sama’. Hafez of Shiraz, whose relationship to the Sufi orders is still debated, filled his ghazals with the language of the path, the tavern and the pir-e moghan, the Magian elder.
Listen to the reed, how it tells a tale, complaining of separations.
Sufi orders remain active in Iran, Afghanistan, Central Asia, Kurdistan and the diaspora. Members of the Ne’matollahi Gonabadi order have faced pressure in Iran: Amnesty International and Human Rights Watch documented mass arrests after clashes in Tehran in February 2018, and Amnesty reported the execution of a Gonabadi dervish, Mohammad Salas, that June after a trial it called grossly unfair. For most who follow the path, Sufism is a matter of the heart, kept in a lodge, a poem and a weekly gathering.
Poetsشاعران
Attar
عطارDruggist of Nishapur and author of The Conference of the Birds, the great allegory of the soul's journey.
Rumi
مولاناJalal al-Din, called Mowlana in Iran, the mystic poet of Konya and one of the most read poets in any language.
Hafez
حافظThe supreme master of the ghazal, whose Divan is found in nearly every Iranian home.

Sanai
سناییPoet of Ghazni who turned from court praise to mystical verse and made the masnavi a vehicle for Sufi teaching.

Jami
جامیSufi poet and scholar of Timurid Herat, author of Yusuf and Zulaykha and the Baharestan.
Across Cultureپیوندها

Faiths
Spiritual but not religious
Many Iranians keep a spiritual life without a mosque, church or temple: in poetry, in the omens of Hafez, in nature and the old festivals, and in meditation and yoga from Tehran to Los Angeles.
Music
Ney
A length of reed with six holes, blown at the rim and held between the teeth: the ney is the oldest-sounding voice in Persian music, and in Rumi’s *Masnavi* it is the soul longing for home.
Music
Setar
Named for three strings but strung with four, the setar is the most intimate instrument of Persian music: small, light, soft-voiced and played with a single fingernail.
Music
Tombak and daf
The goblet-shaped tombak gives Persian classical music its pulse; the great frame drum, the daf, beats at the heart of Kurdish Sufi ceremony and, since the late twentieth century, on concert stages.
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Manichaeism
Mani, born in Sasanian Mesopotamia in 216 CE, founded a faith of light and darkness that reached from Roman Africa to the coast of China, and left Persian a proverbial painter.