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Persiahaus

Ghazal · 17th–18th centuryDraft

The Maker Struck the Mirror on the Dust

Bidel Dehlaviبیدل دهلوی

آیینه بر خاک زد صنع یکتا

The one Maker struck the mirror against the dust

تا وانمودند کیفیت ما

so that what we are might be shown.

بنیاد اظهار بر رنگ چیدیم

We built the foundation of appearance upon colour,

خود را به هر رنگ کردیم رسوا

and disgraced ourselves in every colour.

در پرده پختیم سودای خامی

Behind the veil we cooked a raw desire,

چندان که خندید آیینه بر ما

so long that the mirror laughed at us.

از عالم فاش بی پرده گشتیم

In the world of the manifest we came out unveiled,

پنهان نبودن، کردیم پیدا

and all we revealed was that we were not hidden.

Translation
Persiahaus Editors [Draft translation]
Source
New translation

A note for readers

The opening couplets of the first ghazal in Bidel’s Divan. Bidel, who wrote in Mughal India, is the great master of the late Indian style, whose dense, abstract images resist translation: here the mirror is the world of appearances in which hidden reality shows itself. The excerpt gives the first four couplets.

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Single couplet · 17th centuryDraft

یک عمر می‌توان سخن از زلف یار گفت

در بند آن مباش که مضمون نمانده است

One could speak for a lifetime of the beloved’s tresses;

do not fret that there are no themes left.

A Lifetime on the Beloved’s Tresses

Saeb Tabrizi · صائب تبریزی

Ghazal · 14th centuryDraft

بلبلی برگ گلی خوش رنگ در منقار داشت

و اندر آن برگ و نوا خوش ناله‌های زار داشت

A nightingale held in its beak a rose petal of lovely colour,

and with that petal and its song it made sweet, piteous laments.

A nightingale held a rose petal

Hafez · حافظ

Ghazal · 14th centuryDraft

ستاره ای بدرخشید و ماه مجلس شد

دل رمیده ما را رفیق و مونس شد

A star shone out and became the moon of the gathering,

became friend and companion to our startled heart.

A star shone out

Hafez · حافظ