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Shahnameh · AvestaDraft

Jamshid and his cup

جمشید

The brilliant king who gave his people Nowruz, then lost everything to pride. Plus the famous world-revealing cup, which belonged to someone else first.

Of all the early kings, Jamshid shines brightest. In Ferdowsi's Shahnameh he reigns for centuries, and under him the world fills with useful things. He forges weapons and armour, teaches spinning and weaving, divides people into classes by occupation, and sets the divs to work making bricks and building houses. He discovers perfumes, medicine and the jewels in rock, and he builds ships. Then comes his most famous act. Jamshid has a jewelled throne made and commands the divs to lift it into the air. He sits in the sky, blazing like the sun, and the people gather in wonder. Ferdowsi tells us they called that day the new day: Nowruz. It is the poem's explanation for the Iranian new year, still celebrated at the spring equinox across Iran, Central Asia, Afghanistan, the Caucasus and the diaspora.

The day the throne rose into the sky, people called it the new day.

Brilliance curdles into pride. Jamshid comes to believe he alone is the source of all this good, and claims divinity. In that moment the farr, the divine glory that marks a rightful king, leaves him. His nobles desert him, and the way opens for Zahhak. Jamshid flees and wanders for years; in the Shahnameh, Zahhak eventually captures him and has him sawn in two. The Avesta knows him as Yima, a king of a golden age without heat, cold, sickness or death. In the Vendidad, Ahura Mazda warns Yima of a terrible winter, and he builds a var, an enclosure, to shelter the best of people, animals and plants. The two sources share a hero but tell rather different stories.

Persian poetry is full of the jam-e jam, the cup of Jam, in which the whole world can be seen. Hafez returns to it again and again. But in the Shahnameh itself, the world-showing cup belongs to a later king, Kay Khosrow, who looks into it to find the captive hero Bizhan. Over time the cup migrated to Jamshid, the more glittering name, and that is how most Iranians know it now.

Why it still matters

The ruins of Persepolis are called Takht-e Jamshid, the Throne of Jamshid, in Persian, though the city was built by Achaemenid kings. Jamshid and its feminine echo Jam are common names. And every Nowruz, the old story is retold around the haft-sin table.

On the timeline

Iranian history

550–330 BCE

The Achaemenidsهخامنشیان

From Cyrus to Darius III, the first Persian empire stretched from the Aegean to the Indus and left behind Persepolis, the Cyrus Cylinder and a model of kingship the region would long remember.

  • 518 BCE Work begins at Persepolis (Takht-e Jamshid)

Poetsشاعران

Stylised portrait of Ferdowsi in profile, long white beard and white turban, holding the open Shahnameh under a crown

Ferdowsi

فردوسی

c. 940–1020 · Tus, Khorasan

The poet of the Shahnameh, the national epic of Iran, credited with keeping the Persian language and its old stories alive.

Known for: The Shahnameh (Book of Kings)

Stylised portrait of Hafez in profile, short dark beard and turquoise turban, with a cypress, an open book and a cup of wine

Hafez

حافظ

c. 1315–1390 · Shiraz

The supreme master of the ghazal, whose Divan is found in nearly every Iranian home.

Known for: The Divan

More from Mythologyاسطوره

Avesta

Ahura Mazda and Ahriman

The Wise Lord and the Hostile Spirit: the oldest Iranian account of a world in which every person takes a side, and the moral heart of a faith still practised today.

Shahnameh

Kayumars and the first kings

In Ferdowsi's Shahnameh, history begins on a mountainside with a king in a leopard skin, and the gifts of civilisation are won one by one: fire, iron, tamed animals, writing.

Shahnameh · Avesta

Zahhak and Kaveh the blacksmith

A king with serpents growing from his shoulders, and the blacksmith who raised his leather apron on a spear and brought him down.