On the Tablet of Silence
Khaqaniخاقانی
مرا بر لوح خاموشی الف، ب، ت نوشت اول
On the tablet of silence he first wrote out my alphabet for me:
که درد سر زبان است و ز خاموشی است درمانش
the tongue is a headache, and silence is its cure.
نخست از من زبان بستد که طفل اندر نوآموزی
First he took my tongue from me, for a child at his first lessons
چو نایش بیزبان باید نه چون بربط زبان دانش
should be tongueless like the reed flute, not skilled in speech like the lute.
چو ماندم بیزبان چون نای جان در من دمید از لب
When I was left tongueless like the reed, he breathed a soul into me from his lips,
که تا چون نای سوی چشم رانم دم به فرمانش
so that, like the reed, I might send my breath to its eyes at his command.
چنان در بوته تلقین مرا بگداخت کاندر من
He so melted me in the crucible of his teaching that in me
نه شیطان ماند و وسواسش نه آدم ماند و عصیانش
no Satan was left with his whisperings, no Adam with his sin.
A note for readers
From the qasida known as Mir’at al-Safa, ‘The Mirror of Purity’, which opens ‘My heart is the old teacher, and I the child who learns its language’. In these couplets the heart, as teacher, schools the poet in silence: the first lesson is to give up speech, as the reed flute speaks only with the breath blown into it. The finger-holes of the reed are called its ‘eyes’ in Persian.
More poemsشعرهای دیگر
مرغی دیدم نشسته بر باره طوس
در پیش نهاده کله کیکاووس
I saw a bird perched on the ramparts of Tus,
with the skull of Kay Kavus set down before it.
A Bird on the Walls of Tus
یکی قطره باران ز ابری چکید
خجل شد چو پهنای دریا بدید
A drop of rain fell from a cloud;
it was ashamed when it saw the breadth of the sea.
A Drop of Rain
ابتدای کار سیمرغ ای عجب
جلوهگر بگذشت بر چین نیمشب
The beginning of the Simorgh’s story, how wonderful:
in all his splendour he passed over China at midnight.