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Steppes of Touran and FarsDraft

The Persian onager

گورخر ایرانی

The wild ass of the plateau gave its name, gur, to the most famous royal hunter in Persian legend, and a pun on that name to Khayyam.

The onager is a wild ass, sandy above and pale below, with a dark stripe down its back and the long legs of an animal that lives by outrunning things. It was once a common sight on the dry plains of Iran. Hunting and the loss of grazing to livestock pushed it into a few protected areas, chiefly Touran in Semnan province and the Bahram-e Gur reserve in Fars. The Persian subspecies is considered Endangered, and a captive population supports its future.

Bahram the hunter

In Persian the onager is gur, or gurkhar. The word fixed itself to a Sasanian king, Bahram V, who reigned in the early fifth century and is remembered as Bahram Gur because of his passion for hunting the animal. In Ferdowsi's Shahnameh (the Book of Kings) he is a dazzling archer; in one episode he rides out with Azadeh, a harp-playing companion, and performs impossible shots at her command, with consequences that are not happy for her. Nezami's Haft Peykar, the Seven Beauties, builds an entire romance around him: seven princesses in seven domed pavilions, each telling him a story on one day of the week.

A king named for the animal he chased is finally caught by the same word.

The grave

Gur also means grave. A quatrain attributed to Omar Khayyam plays on the coincidence: Bahram spent his life catching the gur, and now the gur has caught him. Edward FitzGerald carried a version of the thought into his English Rubáiyát. It is the kind of joke Persian poetry likes best, light on the surface and very cold underneath: a king named for the animal he chased is finally caught by the same word. Meanwhile the real gur goes on, in small, wary herds that bunch and wheel at the sound of an engine and are gone in a fan of dust.

On the timeline

Iranian history

224–651

The Sasaniansساسانیان

For four centuries the Sasanian kings ruled an empire of fire temples, rock reliefs and brick palaces, the last great Iranian empire before Islam.

  • 420 Bahram V, later Bahram Gur, begins his reign

Poetsشاعران

Stylised portrait of Ferdowsi in profile, long white beard and white turban, holding the open Shahnameh under a crown

Ferdowsi

فردوسی

c. 940–1020 · Tus, Khorasan

The poet of the Shahnameh, the national epic of Iran, credited with keeping the Persian language and its old stories alive.

Known for: The Shahnameh (Book of Kings)

Stylised portrait of Nezami Ganjavi in profile, dark beard and white turban, beside five coloured discs for the five poems of his Khamsa

Nezami Ganjavi

نظامی گنجوی

c. 1141–c. 1209 · Ganja

The master of the Persian verse romance, whose Khamsa gave the world Layli and Majnun and Khosrow and Shirin.

Known for: The Khamsa (Quintet)

Stylised portrait of Omar Khayyam in profile, short dark beard and saffron turban, beside an astrolabe under a starry night sky

Omar Khayyam

خیام

1048–1131 · Nishapur

Mathematician and astronomer of Nishapur, known to the world for quatrains on time, wine and doubt.

Known for: The Rubaiyat (quatrains)

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Central Iranian plateau

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